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Animation, Compositing
Created for Mystic Aquarium as part of a live sea lion show.
Voice over provided by Mystic Aquarium, Modeling by Tyler Thursby
Modeling, Animation, Rendering, Compositing
Animation created for Mystic Aquarium, showing the location of emergency exits in their Marine Theater
Voice over provided by Mystic Aquarium
Texturing, Animation, Simulation, Compositing
Created for Mystic Aquarium to show the capabilities of the recently installed multibeam sonar mapping system on the E/V Nautilus.
Ship model created by Tyler Thursby.
Director of Photography, VFX, Composer
Chased by a mysterious man, Scott must face a truth more terrifying than his worst nightmares.
With this film Eileen and I were trying to use visual effects and high energy sequences to tell a relatively mundane and emotional story.
Editor, Graphic Artist, Composer
A single-dad plumber gains unwanted fame from a series of murders inspired by a novel he wrote years ago.
Created for the 2012 48 Hour Film Project in Providence RI.
Assistant Director, Gaffer, VFX, Composer
A science fiction story about a small group of scavengers running from their enemies as civilization is breaking apart.
This film needed to be produced on an efficient schedule. Production took place over two nights, and I collaborated online with Christian over one weekend to create the bulk of the VFX and music.
Writer, Director of Photography, Editor, Voice Actor
What remains when you're gone? Is everything in vain?
This was where I learned the excitement of shooting on film, working with cameras that had been unused for years, and 20 year old film stock. When we got our footage back incoherent with no time to reshoot we had to get creative about re-piecing it together into a coherent story. This is what happened.
Composer
The greatest debate for any filmmaker (in a story with nothing about film). Do you try to do something practical with your life or follow your dreams?
Assistant Director, Editor, Graphics, Composer
Minutes before closing, an incident at a country store escalates VERY quickly.
Shot on an iPhone 4s to experiment with the capabilities of smart phones for narrative filmmaking. While not the camera I'd recommend, it is entirely possible to shoot a film on an iPhone, which is pretty cool.
